Skip to main content

Godzilla: King of the Monsters -- a review


Warning, this review contains a mild spoiler


Godzilla: King of the Monsters is a sequel to the 2014 Godzilla film that many people trashed because Godzilla wasn’t shown onscreen nearly enough in the film. Personally, while I understand the criticism, I still enjoyed the 2014 movie, which re-introduce the Big G to modern day audiences, and it was successful enough to start a whole new universe of film sequels that started with Kong: Skull Island. That universe-building continues with Godzilla: King of the Monsters, which is directed by Michael Dougherty, who also helmed the Halloween classic Trick R Treat.



There are monsters galore in the new Godzilla, which heeded the complaints about the earlier film by showing all of them onscreen in their full glory. The most intimidating of these monsters--next to the Big G himself--is Monster Zero, a three-headed, winged beast that is also known as Gidorah. When he’s released from the antarctic ice beneath a secret base, Monster Zero immediately establishes that he’s the bad guy by killing off a character from the 2014 Godzilla film. Even though I was not crazy to see this happen (I liked the character), it was a pretty effective way of making the viewer hate Monster Zero.



But Godzilla: King of the Monsters is very well done overall. It manages to strike a balance between the big monsters rampaging all over the earth and the humans scrambling to try and contain the situation as best they can. What helps is that it has a strong cast, which features Kyle Chandler, Ken Watanabe, Sally Hawkins, Charles Dance, Bradley Whitford, Vera Farminga, and some kid named Millie Bobby Brown (you might know her from this little show on Netflix about strange things). The entire cast is superb; we believe these big monsters are stalking the earth because their sturdy performances make us believe it.



And the effects are also exemplary. The battles are spectacular, with several taking place in the daytime and still maintaining a realistic look. The main story line has some interesting twists in it that keep it fresh and interesting, and they even manage to make the viewer root for Godzilla against Monster Zero. I was greatly impressed with Godzilla: King of the Monsters, but was dismayed to see that it wasn’t the box office hit that everyone was hoping it to be. Now that it’s on home video, perhaps people will discover this film, which nicely revives the sheer fun of the big monster movie. --SF






Comments

Popular posts from this blog

Explorer From Another World

It’s Friday night during the summer in Beutter county, an idyllic farming community in Indiana, and the good folks are settling in for what should be another humdinger of an evening. Until their plans are shattered by the arrival of an Explorer From Another World! This turns out to be an alien (Gemma Sterling) who starts savagely killing people from the moment it disembarks from its flying saucer. Local kids Eddie (Colin McCorquodale), Marybeth (Sage Marchand) and Culpepper (Nolan Gay) are planning on seeing a movie, but it looks like they’ll be battling for the very survival of the human race instead! Explorer From Another World is a wonderfully done throwback to the B-movies of the 1950s and 1960s. Ably directed by Woody Edwards (who gives himself a small cameo as Hank in the sheriff’s jail cell), the film is forty five minutes long, but manages to tell its torrid but funny story very effectively in the time allotted. And the short running time tracks when you...

Presence -- A Review

Presence, the latest film from director Steven Soderbergh ( Sex, Lies and Videotape, Out Of Sight ), is based on his real life experiences with what he believes is a ghost in his own home. Inspired by his spectral roommate, Soderbergh wrote a few pages of a script, which he handed to David Koepp ( Panic Room, Jurassic Park ), who finished it. The film was shot in a house in Crandall, New Jersey, over just eleven days in September 2023 (they received an interim SAG-AFTRA agreement during the strike that year). Soderbergh shot this in the ‘found footage’ style, using only one camera, with himself as the camera operator. The result is that Presence is a haunted house story that is told from the point of view of the ghost. And it’s marvelous. But instead of the typical ’found footage’ movie, which is supposed to be culled together from film or video that is literally found after the fact, we see everything that’s happening in this house through the ‘eye...

Cleaner -- a review

In Cleaner Daisy Ridley ( Star Wars: The Force Awakens ) stars as Joanna “Joey” Locke, a window cleaner at a swanky London office building that serves as the headquarters for an energy company. Joey becomes late for work when she’s forced to take her autistic brother Michael (Matthew Tuck) to her job with her. Because of her lateness, her nimrod of a manager makes Joey work an hour late, well into the evening. Joey reluctantly keeps cleaning windows of bird splatter in the darkness, but eventually bird droppings wind up being the least of her problems. A team of terrorists arrive at a party that’s being held at the office for the energy company’s share holders. Disguised as performers, the terrorists seize the energy company’s board members as hostages, while knocking everybody else out with gas. Joey, still working on the windows outside, sees all of this and promptly goes into action. Because, as the film has earlier established, Joey is a former Britis...