Skip to main content

Us -- a review


Jordan Peele strikes again with Us, his latest horror film. Lupita Nyong'o stars as Addy Wilson, the matriarch of an upscale family that goes to the beach for a vacation. Addy has a wonderfully idyllic life that’s complete with a loving husband--Gabe--two happy, well-adjusted kids--Zora and Jason--and the disposable income required to take all the time they need to recharge at their summer home, which is just a short drive from the boardwalk of Santa Cruz (which is where Lost Boys was shot--a film that's referenced often here).

But the Wilson’s cheerful time at the beach is shattered by the arrival of a very weird family that literally shows up on their doorstep. Despite Gabe’s (well-played by Winston Duke) best efforts to scare them off, as well as Addy calling the police immediately, this creepy family breaks into their home and holds them all captive. And as if that wasn’t scary enough, these intruders ARE the Wilsons: they are doppelgangers of each member of the Wilson family.



Jordan Peele has said in interview on the DVD that he considers running into his doppelganger to be one of his most scariest nightmares, and he’s done a marvelous job at recreating this terror onscreen. The very notion that one’s everyday life could be interrupted by a stranger that looks just like you, and who wants to kill you so that they can take over your life, is pretty unsettling. And Peele wisely doesn’t limit this horror to just one family--as the film goes on, we find out that people everywhere are being attacked and killed by their doppelgangers, which explains why the cops never arrived when Addy first called them.

(There is one hysterically funny moment, where Peele makes fun of “smart” devices like Alexa, when he has one of his characters--who’s fighting off an assault--desperately ask a smart device named Ophelia to call the police. But Ophelia, mishearing, starts playing the NWA’s “Fuck The Police” instead. This was both a funny and very wry moment at the same time.)



Us has a compelling story that’s an original and fresh take on the tired zombie apocalypse tale. But Us also has a compelling message about the simmering attitudes between the haves and have-nots in this country. The fact that the doppelgangers feel compelled to reenact the “Hands Across America” stance is another wonderful zing by Peele at short-sighted people’s band-aid mentality to “solving” overwhelming problems within society. And Lupita Nyong'o really deserves to get an Oscar nod for her performance here--both of them. She gives a fantastic performance amidst an excellent cast.

Us is a refreshing blast of air for the horror genre--much like how last year’s Hereditary was--a movie that provides plenty of thrills and chills on the surface, but offers plenty of food for thought (as long as it’s not bunnies!) days after you’ve seen it. Us really resonates very strongly on so many levels that you need to watch it more than once. Don’t miss it. --SF










Comments

Popular posts from this blog

Jack Reacher Never Go Back -- a Review

I was first introduced to Jack Reacher through the Tom Cruise movie of the same name that was released back in 2012. I liked the movie well enough, despite a few nitpicks here and there--but I really enjoyed reading the novels by Lee Child. Jack Reacher was a former US Army officer who retires and becomes a drifter, roaming from state to state in the country that he fought so hard to protect. And Reacher is still protecting us, taking on a variety of villains, from backwoods mobsters to big-city terrorists from book to book. The stories in the books are well-told, with great attention paid to the smallest of details. I think of them as 1980s action films, only without being insulting to your intelligence. What a perfect series to adapt to movies, right? Well, Tom Cruise looks nothing like how Jack Reacher is described in the books. And while I thought the first Jack Reacher film was good, the second, Jack Reacher: Never Go Back , is very badly flawed. Based on the JR novel of the sa...

The Holdovers -- a review

It’s always a joy to watch someone who’s a master at their work, whether it’s a musician, an artist, or an actor. Most great actors make it look easy--which is not to say that I think acting is an easy job. I know from personal experience that acting is very hard. It’s a skill that the talented make look very easy, and one of the most talented actors working today is Paul Giamatti. If you’ve watched some movies over the past few years, chances are very good that you’ve already seen Paul Giamatti. He was the jittery earthquake expert in San Andreas , the sympathetic police chief in The Illusionist , and as the titular John Adams (a part that got him the Emmy and a Golden Globe) in the 2008 HBO series of the same name. Recently, I saw Paul Giamatti in the superb The Holdovers , a movie that I wasn’t planning on writing up, but I kept thinking about it--and all of its characters--long after I saw it. In The Holdovers , Giamatti plays Paul H...

Beetlejuice, Beetlejuice -- a review

Despite coming out thirty six years after the first film, Beetlejuice Beetlejuice , once again directed by Tim Burton, wound up being vastly entertaining, adding lots of pleasant surprises, like the use of stop-motion animation. The sequel takes place within the same real-life time frame, with Lydia Deetz, played with wry humor by Winona Ryder, now the host of a ghost hunting show. She’s also the mother of Astrid, a teenager played by Jenna Ortega. They live with Delia Deetz (the always great Catherine O'Hara), Lydia’s step-mother and Astrid’s step-grandmother. After the death of Charles--Delia’s husband and Lydia’s father--during a bird-watching accident involving sharks, the Deetz ladies must go back up to the creepy house in Winter River, Connecticut for his funeral. This is the same place where Lydia first encountered Beetlejuice all those years ago, and she is understandably reluctant to even mention his name, lest she accidentally calls forth Beet...