I was halfway through Avatar: Fire and Ash when a thought struck me: Did director James Cameron basically remake the Tarzan movies as a science fiction epic? I’m not suggesting that Cameron stole anything from Edgar Rice Burroughs. But the basic themes are present in both sagas. Young John Clayton is a nobleman who is left to fend for himself as a child in the jungles of Africa, only to become Tarzan, the Lord of the Jungle. Jake Sully (Sam Worthington) is a disabled vet sent to Pandora, a moon in orbit of a Jupiter-like gas giant, where he becomes that planet’s version of the Lord of the Jungles, thanks to a technology that enables him to possess the body of a Na’vi, one of its native peoples. The Avatar saga is an otherworldly tale that chronicles the efforts of a low-tech society—the Na’vi—battling high-tech invaders—evil Earthlings—who try to possess the planet Pandora, much like how they have possessed the bodies of Na’vi clones. Although I wasn’t really a...
Film director Dan Trachtenberg, who revived the previously moribund Predator franchise with the surprise Hulu hit Prey , and then continued the Predator revival with the superb animated film Predator: Killer of Killers , continues to redefine the alien hunter/killers with his latest, Predator: Badlands . Dek (Dimitrius Schuster-Koloamatangi) is a young Predator—whose race have been identified in this film for the first time as the Yautja—who has been considered the useless runt of his clan and is about to be killed because of it by his own father, until his brother saves him at the cost of his own life. Dek escapes in his brother’s spaceship to an alien world, where he must regain his status within his clan by bringing them the head of the Kalisk, a supreme apex predator who has never been defeated by any of the Yautja that were sent to hunt it. When he arrives (more like crash-lands) on the planet, Dek finds an unlikely ally in the form of Thia (Elle Fann...