The View From The Mountain

I was really looking forward to seeing Furiosa , despite these prequel-crazy times we’re living in where every movie, TV show, and book has to be a prequel that shows us exactly how Miles first met Becky, and how it almost always winds up an underwhelming exercise in frustration because it wasn‘t done very well. There are exceptions, like House of the Dragon (which is far superior to Game of Thrones ), Star Wars: Rogue One (a great movie that compliments the original Star Wars film), and--now having finally seen it--I can add the Mad Max prequel Furiosa: A Mad Max Saga to that esteemed list. The reason I had such high hopes for Furiosa was its director, George Miller, who brought his Mad Max saga back to rip-roaring life almost ten years ago with the incredible Mad Max: Fury Road . First starting out as a doctor in his native Australia, Miller has gone on to become an extremely talented film director over the course of his over forty year career. Furi

I had always been a huge fan of the Planet of the Apes movies, from the moment my father took me to see Beneath the Planet of the Apes at the theater when I was very young. Beneath was the sequel to the original, seminal POTA , and it was a horror show dealing with subterranean humans who peeled off their faces to better worship their “God,” which was a super thermonuclear bomb. Just a toddler at the time, I fondly remembered my father abruptly pulling me into a tight hug every so often in the theater, and loving it then. But I didn’t realize, until much later, that my dad was actually making sure that I wasn’t staring at the screen whenever some of the still-disturbing images in Beneath occurred. I was greatly impressed with the smartly done POTA remakes that were recently released, starting with Rise of the Planet of the Apes , and so I looked forward to seeing the latest, Kingdom of the Planet of the Apes , and I wasn’t disappointed. Taking place s

Director Guy Ritchie is making a lot of movies, lately. Ritchie will make a big-league film--like Aladdin , for Disney--and then go off and make a mid-budget movie immediately afterward. And this is a good thing. Because the more Guy Ritchie films, the merrier. His latest, Operation Fortune: Ruse De Guerre , stars Jason Statham as Orson Fortune, a cool, suave, James Bond-type agent who does special missions for the British government. Cary Elwes plays Nathan, his long suffering handler, who constantly has to explain Fortune’s maverick antics to Knighton, their tedious boss at MI6 (well-played by long-time Ritchie collaborator Eddie Marsan). Fortune is called upon once more when an experimental weapon known only as “the Handle” has been stolen from a secret lab. Tracking the theft to international arms dealer Greg Simmonds (Hugh Grant, who seems to be having a lot of fun here), Fortune must stop Simmonds before he can sell the Handle to a buyer. Fortune is

Zoë Kravitz, the future Catwoman, stars in Kimi, director Steven Soderbergh’s latest film. Kravitz plays an agoraphobic young woman who’s living through the pandemic in Seattle. She works for a tech company, fixing “bugs” that pop up in the code of Kimi, an Alexa-like computer assistant. Whenever Kimi mishears someone asking for something, or does something in error, it’s up to Kravitz’s character, Angela Childs, to make a note of what went wrong and how to fix it. This is a well-paying tech job that Angela does in her spacious, luxury apartment and she’s as happy as a clam. That is, until Angela hears something on a particular audio file, where Kimi was accidentally switched on while people were having a severe argument in the background. But as Angela cleans up the audio, she discovers to her horror that what initially sounded like an argument turns out to be a murder that Kimi had innocently recorded. Clocking in at just 90 minutes, Kim

Daniel Craig exploded onto the scene as James Bond in 2006’s Casino Royale. And, after four 007 adventures, he calls it a day with No Time To Die, a film that was supposed to have been released back in 2020 but was pushed back for a year and a half, thanks to the pandemic. Apple and Netflix made multi-million dollar offers to the 007 people to air NTTD on their streaming services, but the Bond producers held out for a theatrical release, which they finally got in the fall of 2021. The irony here is that MGM, which releases the Bond films, was bought out by Amazon, which owns its own streaming service. James Bond is happily retired from spy craft and happily living with Madeleine (Léa Seydoux) in Italy--until their extended honeymoon is disrupted by the usual assassins who come out of the woodwork gunning for Bond. It turns out that Spectre, the criminal organization that Bond previously tangled with, is still very much active--and it looks as if Madeleine aided i

When I was a kid, my G.I Joe figures were twelve inches tall, and they came with an assortment of vehicles, many of which I had. I was a kid back in the 1970s, and G.I. Joe then was mainly an adventurer, he was an Indiana Jones-type of explorer several years before Raiders of the Lost Ark had even been released. When the G.I Joe resurgence happened in the 1980s, I was too old to be playing with G.I. Joes, having given my old figures away to my younger cousins. Besides, I really didn’t care for the whole 80s craze of having the cartoons be nothing more than half hour commercials for the toys. When I heard they were making Snake Eyes, I originally thought it was going to be a remake of the Brian DePalma film starring Nicolas Cage as a cop trying to uncover a conspiracy during a hurricane in Atlantic City. In other words, I really had no knowledge of the “new” G.I. Joes--one of which is a dude dressed in all black who goes by the handle of Snake Eyes. But when I went in

Tom Holland and Daisy Ridley team up for Chaos Walking , a science fiction film that’s based on the book The Knife of Never Letting Go by author Patrick Ness. Ridley plays Viola, an astronaut who crash-lands on an alien planet that’s already been colonized by a first wave of settlers from Earth. The only problem is, she winds up in a settlement that consists only of men, with the women having vanished years before. And all of the men have a strange affliction where their thoughts can literally be seen and heard in the air around their heads. Holland plays Todd, the youngest member of the colony who comes to Viola’s aid--although it becomes an equal partnership as Viola and Todd fight to survive in a world gone mad! Chaos Walking was directed by Doug Liman, who’s done some pretty good films in the past (Edge of Tomorrow, Go), and it runs with its interesting premise of how all of the males’ thoughts on this planet are an open book (women’s thoughts remain

The Hunt is yet another tired adaptation of The Most Dangerous Game , a short story written by Richard Connell in 1924 and has been turned into motion pictures at least several dozen times (both officially and unofficially), starting with the 1932 film of the same name (which starred Fay Wray, who shot this film at night on the very same jungle sets where she shot King Kong during the day) and including the very silly (but still vastly entertaining) Slave Girls from Beyond Infinity in 1987. The basic story is that of a famous hunter who, growing bored with animals, decides to hunt humans for sport on his private island, instead. The Hunt is a variation of this theme, where a group of people are kidnapped and brought to the private hunting grounds belonging to wealthy elites who hunt them for sport. But for some strange reason, the people being hunted are given working guns and other assorted weapons--which was something that not even the hunter in the origi

There have been so many films made about Robin Hood that it’s impossible not to hit one of them if you were to randomly shoot an arrow into a field. Hell, even Doctor Who has done a fun episode, Robot of Sherwood , that deals with the Robin Hood legend. But the most recent big-budget Robin Hood film, starring Taron Egerton--along with a weird assortment of costumes that looked like they were ripped off from a Star Trek episode--was a huge bomb, which might as well have brought the noble Legend of the Hood to an abrupt end. But Robin Hood is an extremely tenacious fellow who should never be counted out, as proven in Robin Hood: The Rebellion , a thoroughly enjoyable and scrappy little film with a big heart that stars Ben Freeman as the Prince of Thieves. Finding out that his beloved Marian (Marie Everett) has been taken captive by the Sheriff of Nottingham (James Oliver Wheatley), Robin Hood plots a rescue. However this rescue involves storming the Sheriff’s castle stronghold. The

Warning, this here review has spoilers. Terminator: Dark Fate was a big bomb at the box office back when it was released to theaters in November of 2019. And that’s a shame, because I thought the film was very good. Perhaps it was the film’s extremely dark opening, where they kill off John Connor within its first five minutes, that turned some people off. This is understandable, since the previous film that DF is supposed to be a direct sequel to, Terminator 2: Judgment Day , is now considered a classic of the SF/action film genre. And for DF to coldly kill off one of T2 ’s main characters must have made its detractors think: “what was the point of wiping out everything that had gone down in T2?” But the Terminator series has always been about the underdog. Each Terminator movie--at least the better ones--deal with a disparate group of people who come together to try and prevent a nightmarish dystonian future from ever happening. And killing off John Connor was the right move, b

I first saw Indiana Jones and the Temple of Doom in the theater back when it first came out thirty five years ago this week. I was nineteen in the summer of 1984, and I loved the Temple of Doom so much then that I promptly watched it three times in the theaters (movies coming out on home video at that time was a little sketchy; so if I really liked a movie, I usually had to see it as often as I could in the theater). I was a huge fan of Raiders of the Lost Ark (and still am), and, back in 1984, I considered watching Temple of Doom almost like revisiting an old friend. I’ve seen Temple of Doom several times since on home video, first on VHS and then DVD, and I have to admit that each time I re-watched the film my love for it has lessened more and more. When I recently saw it again in preparation for this 35th anniversary review…well, to be honest, while I still enjoyed certain aspects of Temple of Doom , overall, the film is not one of my favorites. One of the reasons that it doesn