Skip to main content

Andor -- a review

Looking at the reviews for Andor, the latest Star Wars series produced by and exclusively for Disney Plus, they all say the same thing: that Andor is a vastly mature TV series--and it is. But many of these reviews also appear to be a back-handed insult to the Star Wars franchise in general, by stating how Andor was made for the adults in the room, and how it lacked the dopey ‘pew-pew-pew’ action of space wizards fighting each other with their laser swords that we get in Star Wars.

And yeah, Star Wars does have its silly moments (and that’s pretty much all of Return of the Jedi). But the very best of Star Wars (the original Star Wars film, The Empire Strikes Back, Rogue One, The Last Jedi) strived mightily to be far more than the simple space operas they appeared to be. And even the films that didn’t have such lofty goals (Solo, SW: Revenge of the Sith) are still vastly entertaining. But it doesn’t appear that most people are really complaining about the Star Wars films being immature--instead, they’re grousing about the recent Disney Plus Star Wars TV shows, and they have a right to complain.

Because, by and large, the Disney Plus Star Wars TV series are pretty bad. Lacking the budgets, along with the solid writing, of the better Star Wars films, series like The Mandolorian, The Book of Boba Fett, and Obi-Sucky Kenobi constantly fall back on the same tired clichés (Stormtroopers who can’t shoot straight, oh-so-perfect main characters who come across as un-relatable superheroes, dull and predictable plots) that it was hard for me to feel any enthusiasm for them.

After all of this, just when I was about to tap out of the whole Star Wars experience on Disney Plus for good, along comes Andor. A direct prequel to the superb Rogue One, Andor centers on Cassian Andor, who’s very well-played with subtle shadings by Diego Luna. Andor is a twelve part series that gives new meaning to the term slow burn. It basically shows how Andor gets recruited into the nascent struggle against the Empire that will ultimately become the Rebellion.

And not only are the Stormtroopers (and Deathtroopers) really good shots in Andor, but the series also manages to do the impossible: it makes the Empire a truly scary and intimidating foe. Taking a Charles Dickens-like approach to its storytelling, Andor uses a vast cast of characters who are either fighting for or against the Empire. It’s a testament to the talent on display here, both behind and in front of the camera, that such an infuriating character like Deedra Meero (marvelously played by Denise Gough) is still captivating to watch.

Andor is indeed the deeper cut into Star Wars. It lacks Jedi knights, and even Darth Vader, but it’s still an enthralling look at regular people rising up to fight a monstrous, black-hearted entity that is insidiously seeping into every aspect of their lives. It’s a series that makes you care for everybody, here. It’s so well done, so well written, that you can’t help but get caught up in this struggle. And if you’d rather not watch this, if you’d rather have your Jedi knights, that’s cool, too. Star Wars has become a giant buffet, with various delicious delicacies for everybody to enjoy. So dig in; there's something for everybody. --SF

Andor is only on Disney +. But Rogue One and the other Star Wars films are available on D+, as well as on physical media.

Comments

Popular posts from this blog

Explorer From Another World

It’s Friday night during the summer in Beutter county, an idyllic farming community in Indiana, and the good folks are settling in for what should be another humdinger of an evening. Until their plans are shattered by the arrival of an Explorer From Another World! This turns out to be an alien (Gemma Sterling) who starts savagely killing people from the moment it disembarks from its flying saucer. Local kids Eddie (Colin McCorquodale), Marybeth (Sage Marchand) and Culpepper (Nolan Gay) are planning on seeing a movie, but it looks like they’ll be battling for the very survival of the human race instead! Explorer From Another World is a wonderfully done throwback to the B-movies of the 1950s and 1960s. Ably directed by Woody Edwards (who gives himself a small cameo as Hank in the sheriff’s jail cell), the film is forty five minutes long, but manages to tell its torrid but funny story very effectively in the time allotted. And the short running time tracks when you...

Logan's Run -- a review

I first saw Logan’s Run in a New Jersey movie theater fifty years ago, when I was a boy. The theater, somewhere in the suburban wilds of the Garden State, was packed to the gills with people. I wasn’t sure what to expect with the movie back then—all I cared about that it was a brand new science fiction film, in an age when big budget SF properties on both TV and the big screen was very rare (of course, Star Wars , which would be released the very next year, would change all of that). Based on the 1967 novel of the same name by William F. Nolan and George Clayton Johnson, Logan’s Run is a futuristic tale about a man named Logan 5 (Michael York) who has a special job in a place filled with hedonistic leisure. Logan lives within the splendor of a Utopian society whose population dwells within large domes. The interior is presented as a vast, upscale shopping mall where its citizens want for nothing. Every need, every whim, and every fantasy is met. Of course, there’s a catc...

The Housemaid

The Housemaid (from 2025—not to be confused with the 2010 film of the same name) is based on the first book in a psychological thriller series by author Freida McFadden. Sydney Sweeney stars as Millie Calloway. a young woman down on her luck who’s struggling after being released on parole from jail. While living in her car, Millie applies for a live-in maid position with a wealthy family, Nina (Amanda Seyfried) & Andrew (Brandon Sklenar) Winchester, and their young daughter, Cecelia (Indiana Elle) and—to her delight—she gets the job. But, of course, once Millie starts working her maid gig, that’s when the real horror show begins. Despite acting like she was in Millie’s corner in the beginning, Nina deliberately creates problems for Millie that make her look bad. It turns out that Nina is a whack-job who’s served time at a mental facility for trying to kill her own daughter when she was a baby, and now Nina’s got Millie in her sights. If The Housemaid sounds like some ...