Skip to main content

X-Men Dark Phoenix -- a review


Coming nineteen years after the first X-Men movie, X-Men: Dark Phoenix wraps up the superhero team saga without any mention of Hugh Jackman’s Logan/Wolverine (Jackman retired from playing the character after 2017’s Logan) in a more toned down adventure that, at times, seemed derivative of past (and better) X-Men movies. It’s the far-flung future of 1992 and the X-Men are called to rescue the crew of the space shuttle, which has come under attack from a strange cloud of energy from outer space while in orbit above Earth.

Jean Grey’s (Sophie Turner) already considerable physic powers receive a major boost when she’s exposed to the otherworldly energy. And not only is she more powerful, but she can also see through a lie that Professor Xavier (James McAvoy) had created within her mind as a child in order to “protect” her. This incites Jean to become very cranky, which is not a good fit for a person who’s now armed with the powers of a god. Vuk (Jessica Chastain), the leader of an alien race hiding out on earth, is real eager to meet with Jean, and it’s not to get an autograph.



The reason XMDP takes place in 1992 is because it’s following the timeline set down by the previous three X-Men films: First Class (the 1960s), Days Of Future Past (the 1970s), and Apocalypse (the 1980s). Yet there’s no explanation for why everybody still looks as young as they were twenty or thirty years ago (do mutants age slower?). Jennifer Lawrence, who reportedly was initially reluctant to do this flick, phones in her performance as Mystique--and even her mutant make up looks like it really didn’t want to be here. And the movie itself feels very half-hearted at times, as if it’s just tediously going through the motions by treading over familiar story beats that were better played in other superhero movies.



However, having said that, I still enjoyed it. While it’s not in the same league as the better X-Men films, XMDP still manages to be an entertaining superhero romp with some good performances, such as the wonderfully creepy vibe that Jessica Chastain gives as the unearthly Vuk, and the endearingly sympathetic performance from Sophie Turner as Jean. The toned-down story line of XMDP is also a welcome change of pace from the universe-threatening, cast-of-thousands climaxes of some recent overwrought superhero films (such as Avengers: Endgame). As a result of this, XMDP has a leaner, more focused story. Yes, XMDP has its problems, but I think it’s still far from being the worst of the series--for me, that “achievement” goes to X-Men: Last Stand, which badly bungled the Dark Phoenix story line the first time out.


This film was originally meant to be the start of a new trilogy featuring the younger cast of X-Men, but thanks to re-shoots, the ending has been changed to reflect the end of an era. It’s also pretty obvious that Disney gobbling up Twentieth Century Fox (the studio that originally made XMDP) played a big part in bringing a close to this almost twenty year old cinematic saga. But I take no comfort in knowing that the X-Men are now in the Marvel Cinematic Universe. After watching with disgust how Marvel turned the spectacular Spider-Man into nothing more than Iron Man Jr. in their films, I find myself dreading what will happen to the distinctive X-Men once they’re placed on the assembly line of the Merry Marvel movie factory. --SF











Comments

Popular posts from this blog

Explorer From Another World

It’s Friday night during the summer in Beutter county, an idyllic farming community in Indiana, and the good folks are settling in for what should be another humdinger of an evening. Until their plans are shattered by the arrival of an Explorer From Another World! This turns out to be an alien (Gemma Sterling) who starts savagely killing people from the moment it disembarks from its flying saucer. Local kids Eddie (Colin McCorquodale), Marybeth (Sage Marchand) and Culpepper (Nolan Gay) are planning on seeing a movie, but it looks like they’ll be battling for the very survival of the human race instead! Explorer From Another World is a wonderfully done throwback to the B-movies of the 1950s and 1960s. Ably directed by Woody Edwards (who gives himself a small cameo as Hank in the sheriff’s jail cell), the film is forty five minutes long, but manages to tell its torrid but funny story very effectively in the time allotted. And the short running time tracks when you...

Presence -- A Review

Presence, the latest film from director Steven Soderbergh ( Sex, Lies and Videotape, Out Of Sight ), is based on his real life experiences with what he believes is a ghost in his own home. Inspired by his spectral roommate, Soderbergh wrote a few pages of a script, which he handed to David Koepp ( Panic Room, Jurassic Park ), who finished it. The film was shot in a house in Crandall, New Jersey, over just eleven days in September 2023 (they received an interim SAG-AFTRA agreement during the strike that year). Soderbergh shot this in the ‘found footage’ style, using only one camera, with himself as the camera operator. The result is that Presence is a haunted house story that is told from the point of view of the ghost. And it’s marvelous. But instead of the typical ’found footage’ movie, which is supposed to be culled together from film or video that is literally found after the fact, we see everything that’s happening in this house through the ‘eye...

Cleaner -- a review

In Cleaner Daisy Ridley ( Star Wars: The Force Awakens ) stars as Joanna “Joey” Locke, a window cleaner at a swanky London office building that serves as the headquarters for an energy company. Joey becomes late for work when she’s forced to take her autistic brother Michael (Matthew Tuck) to her job with her. Because of her lateness, her nimrod of a manager makes Joey work an hour late, well into the evening. Joey reluctantly keeps cleaning windows of bird splatter in the darkness, but eventually bird droppings wind up being the least of her problems. A team of terrorists arrive at a party that’s being held at the office for the energy company’s share holders. Disguised as performers, the terrorists seize the energy company’s board members as hostages, while knocking everybody else out with gas. Joey, still working on the windows outside, sees all of this and promptly goes into action. Because, as the film has earlier established, Joey is a former Britis...