Skip to main content

Andor -- a review

Looking at the reviews for Andor, the latest Star Wars series produced by and exclusively for Disney Plus, they all say the same thing: that Andor is a vastly mature TV series--and it is. But many of these reviews also appear to be a back-handed insult to the Star Wars franchise in general, by stating how Andor was made for the adults in the room, and how it lacked the dopey ‘pew-pew-pew’ action of space wizards fighting each other with their laser swords that we get in Star Wars.

And yeah, Star Wars does have its silly moments (and that’s pretty much all of Return of the Jedi). But the very best of Star Wars (the original Star Wars film, The Empire Strikes Back, Rogue One, The Last Jedi) strived mightily to be far more than the simple space operas they appeared to be. And even the films that didn’t have such lofty goals (Solo, SW: Revenge of the Sith) are still vastly entertaining. But it doesn’t appear that most people are really complaining about the Star Wars films being immature--instead, they’re grousing about the recent Disney Plus Star Wars TV shows, and they have a right to complain.

Because, by and large, the Disney Plus Star Wars TV series are pretty bad. Lacking the budgets, along with the solid writing, of the better Star Wars films, series like The Mandolorian, The Book of Boba Fett, and Obi-Sucky Kenobi constantly fall back on the same tired clichés (Stormtroopers who can’t shoot straight, oh-so-perfect main characters who come across as un-relatable superheroes, dull and predictable plots) that it was hard for me to feel any enthusiasm for them.

After all of this, just when I was about to tap out of the whole Star Wars experience on Disney Plus for good, along comes Andor. A direct prequel to the superb Rogue One, Andor centers on Cassian Andor, who’s very well-played with subtle shadings by Diego Luna. Andor is a twelve part series that gives new meaning to the term slow burn. It basically shows how Andor gets recruited into the nascent struggle against the Empire that will ultimately become the Rebellion.

And not only are the Stormtroopers (and Deathtroopers) really good shots in Andor, but the series also manages to do the impossible: it makes the Empire a truly scary and intimidating foe. Taking a Charles Dickens-like approach to its storytelling, Andor uses a vast cast of characters who are either fighting for or against the Empire. It’s a testament to the talent on display here, both behind and in front of the camera, that such an infuriating character like Deedra Meero (marvelously played by Denise Gough) is still captivating to watch.

Andor is indeed the deeper cut into Star Wars. It lacks Jedi knights, and even Darth Vader, but it’s still an enthralling look at regular people rising up to fight a monstrous, black-hearted entity that is insidiously seeping into every aspect of their lives. It’s a series that makes you care for everybody, here. It’s so well done, so well written, that you can’t help but get caught up in this struggle. And if you’d rather not watch this, if you’d rather have your Jedi knights, that’s cool, too. Star Wars has become a giant buffet, with various delicious delicacies for everybody to enjoy. So dig in; there's something for everybody. --SF

Andor is only on Disney +. But Rogue One and the other Star Wars films are available on D+, as well as on physical media.

Comments

Popular posts from this blog

Explorer From Another World

It’s Friday night during the summer in Beutter county, an idyllic farming community in Indiana, and the good folks are settling in for what should be another humdinger of an evening. Until their plans are shattered by the arrival of an Explorer From Another World! This turns out to be an alien (Gemma Sterling) who starts savagely killing people from the moment it disembarks from its flying saucer. Local kids Eddie (Colin McCorquodale), Marybeth (Sage Marchand) and Culpepper (Nolan Gay) are planning on seeing a movie, but it looks like they’ll be battling for the very survival of the human race instead! Explorer From Another World is a wonderfully done throwback to the B-movies of the 1950s and 1960s. Ably directed by Woody Edwards (who gives himself a small cameo as Hank in the sheriff’s jail cell), the film is forty five minutes long, but manages to tell its torrid but funny story very effectively in the time allotted. And the short running time tracks when you...

Presence -- A Review

Presence, the latest film from director Steven Soderbergh ( Sex, Lies and Videotape, Out Of Sight ), is based on his real life experiences with what he believes is a ghost in his own home. Inspired by his spectral roommate, Soderbergh wrote a few pages of a script, which he handed to David Koepp ( Panic Room, Jurassic Park ), who finished it. The film was shot in a house in Crandall, New Jersey, over just eleven days in September 2023 (they received an interim SAG-AFTRA agreement during the strike that year). Soderbergh shot this in the ‘found footage’ style, using only one camera, with himself as the camera operator. The result is that Presence is a haunted house story that is told from the point of view of the ghost. And it’s marvelous. But instead of the typical ’found footage’ movie, which is supposed to be culled together from film or video that is literally found after the fact, we see everything that’s happening in this house through the ‘eye...

Cleaner -- a review

In Cleaner Daisy Ridley ( Star Wars: The Force Awakens ) stars as Joanna “Joey” Locke, a window cleaner at a swanky London office building that serves as the headquarters for an energy company. Joey becomes late for work when she’s forced to take her autistic brother Michael (Matthew Tuck) to her job with her. Because of her lateness, her nimrod of a manager makes Joey work an hour late, well into the evening. Joey reluctantly keeps cleaning windows of bird splatter in the darkness, but eventually bird droppings wind up being the least of her problems. A team of terrorists arrive at a party that’s being held at the office for the energy company’s share holders. Disguised as performers, the terrorists seize the energy company’s board members as hostages, while knocking everybody else out with gas. Joey, still working on the windows outside, sees all of this and promptly goes into action. Because, as the film has earlier established, Joey is a former Britis...