Skip to main content

The Orville: New Horizons

The Orville has long been an entertaining science fiction show that got even better with its third (and possibly final) season. With shooting on the third season getting held up by the pandemic, Seth MacFarlane--who created the series, as well as stars as its Captain, Ed Mercer--seemingly took the added time to rework the scripts. And that was a very good thing. When The Orville first debuted, it was seen as a comedy that offered a funny, satirical view of Star Trek, the classic series from which The Orville was inspired by. The humor was very broad and bombastic, sometimes going a little over the top.

But even in the first two seasons, the slapstick humor began to slowly be replaced by earnest storytelling as MacFarlane and his writers fleshed out their characters and the universe they lived in. And by doing this, The Orville only got better. While there’s still humor in the third season, and it’s much welcome (because the humor here is still genuinely funny, emerging from the situations, instead of being forced), this new, dramatic version of The Orville: New Horizons is now a far more confident series that tells its enthralling stories in a stately, detailed-filled manner that’s ultimately very satisfying.

The average run-time of the third season episodes is well over an hour each--with one episode, Midnight Blue, clocking in at just under ninety minutes! That’s an Orville movie, kids! The episodes are self contained, with the main story wrapped up by the end, yet they still all fit together in a mosaic to inform us about the ongoing war between the Planetary Union and the cybernetic Kaylon--which leads up to Domino, an episode with a marvelous ‘eye candy’ space battle showdown that is so sweeping and epic that it easily put the recent bunch of lethargic Star Wars TV series on Disney+ to shame (although I’m still holding out hope that the upcoming Andor might be good).

There are still some cringe moments here, like having a computer simulation of Dolly Parton (played by the real Dolly Parton) talk some sense into an alien aboard the Orville, with Dolly even breaking into a song to prove her point. But, on the whole, the third season of the Orville is extremely well-done, with its stand-alone adventures (such as Gordon getting trapped in the past, or strange, shadowy creatures taking over the ship) being just as gripping as the overall Kaylon war saga. And, the season finale, Future Unknown, wonderfully wraps things up in such a way that it can also serve as a series finale. Even if this is the end, I’m grateful to the cast and crew of The Orville for the fantastic ride. --SF

All three seasons of the Orville can be seen on Disney+. The first two seasons are available on physical media (and hopefully the third season will be on physical media very soon, too).

Comments

Popular posts from this blog

Explorer From Another World

It’s Friday night during the summer in Beutter county, an idyllic farming community in Indiana, and the good folks are settling in for what should be another humdinger of an evening. Until their plans are shattered by the arrival of an Explorer From Another World! This turns out to be an alien (Gemma Sterling) who starts savagely killing people from the moment it disembarks from its flying saucer. Local kids Eddie (Colin McCorquodale), Marybeth (Sage Marchand) and Culpepper (Nolan Gay) are planning on seeing a movie, but it looks like they’ll be battling for the very survival of the human race instead! Explorer From Another World is a wonderfully done throwback to the B-movies of the 1950s and 1960s. Ably directed by Woody Edwards (who gives himself a small cameo as Hank in the sheriff’s jail cell), the film is forty five minutes long, but manages to tell its torrid but funny story very effectively in the time allotted. And the short running time tracks when you...

Beetlejuice, Beetlejuice -- a review

Despite coming out thirty six years after the first film, Beetlejuice Beetlejuice , once again directed by Tim Burton, wound up being vastly entertaining, adding lots of pleasant surprises, like the use of stop-motion animation. The sequel takes place within the same real-life time frame, with Lydia Deetz, played with wry humor by Winona Ryder, now the host of a ghost hunting show. She’s also the mother of Astrid, a teenager played by Jenna Ortega. They live with Delia Deetz (the always great Catherine O'Hara), Lydia’s step-mother and Astrid’s step-grandmother. After the death of Charles--Delia’s husband and Lydia’s father--during a bird-watching accident involving sharks, the Deetz ladies must go back up to the creepy house in Winter River, Connecticut for his funeral. This is the same place where Lydia first encountered Beetlejuice all those years ago, and she is understandably reluctant to even mention his name, lest she accidentally calls forth Beet...

Batman: The Return of the Caped Crusaders -- a review

Holy animation,, Batman! Batman: The Return of the Caped Crusaders is a loving tribute to the 1960s TV series that manages to feel like the second 1960s-era Batman movie, thanks to the voice-casting of original Batman and Robin stars Adam West and Burt Ward, along with Julie Newmar, who reprises her role as Catwoman. Taking place in the same time period as the series, the film is filled with the social mores of the time, such as having Catwoman demurely step to the side whenever Batman and Robin battle the villainous henchmen (complete with the customary BIFF! BAM! and POW! word balloons the original series always flashed during the fight scenes). Catwoman is a part of a fearsome foursome of rogues that includes the Joker, Penguin and the Riddler as they set out to work together to wreak havoc on Gotham City. The fact that these villains team up, along with their use of a penguin-themed zeppelin later in the film, is a nice nod to the original 1966 Batman movie that was relea...